Jacques-Henri Lartigue Works Online
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Original works by Jacques-Henri Lartigue available for purchase at art galleries worldwideMuseums and Public Art Galleries Worldwide:
Art Institute of ChicagoArt Market:
Jacques-Henri Lartigue at the Metropolitan Museum of Art, New York City
San Francisco Museum of Modern Art
Centre d'Art Jacques-Henri Lartigue, Isle-Adam, France
Centre d'Art Jacques-Henri Lartigue
Clark Art Institute, Williamstown, Massachusetts
Woman Wearing Foxes, Bois de Boulogne, 1911
Cleveland Museum of Art, Ohio
Jacques-Henri Lartigue in the Los Angeles County Museum of Art Database
Museum of Contemporary Photography at Columbia College, Chicago
(e.g. records of past sales at auction; sites providing examples of the artist's signature)
Christie's Past Sale Archive NEW!Pictures from Image Archives:
(database goes as far back as 1991; images go about as far back as 1999)
Sotheby's Sold Lot Archive NEW!
(database goes as far back as 1998; images where permitted by copyright go about as far back as 2001)
Bildindex der Kunst und Architektur (in German) Miscellaneous Sites:
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Masters of Photography
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Donation Jacques Henri LartigueArticles and Reference Sites:
Donation Jacques Henri Lartigue
Peter Nahum At The Leicester Galleries, London, UK
Archive of past displayed works which are "sold" or "not for sale"
Answers.com reference works
The "Art Encyclopedia" entry is from the Concise Grove Dictionary of Art (2002). The "Photography Encyclopedia" entry is from the The Oxford Companion to the Photograph (2005).
Encyclopedia Britannica complete article on Jacques-Henri Lartigue
Note: The full version of the article is available only if you follow this link. If you bookmark the article and return later, or if you navigate directly to the Britannica website, you will see a 100-word preview only. Troubleshooting
Union List of Artist Names (Getty Museum)
Reference sheet with basic information about the artist and pointers to other references.
Wikipedia, the "Open Content" Encyclopedia
The Guardian Newspaper, UK
"Total recall", 2004 article by Adrian Searle