 |
Thomas Bewick Works Online
Categorized & Annotated
Museums and Public Art Galleries Worldwide:
 Art Institute of Chicago NEW!
Dallas Museum of Art, Texas NEW!
(There is a "Download" link for zooming in on some works, but confusingly this may take a while to become active)
Fine Arts Museums of San Francisco NEW!
Many works online
Metropolitan Museum of Art, New York City NEW! 
National Gallery of Art, Washington D.C. NEW!
Most but not all artists in the NGA database have works online
Tate Gallery, London, UK
Courtauld Institute of Art, London, UK
Harvard University Art Museums, Massachusetts
Harvard have works in their collections, but unfortunately you have to type in the search yourself
National Gallery of Victoria, Australia
A General History of Quadrupeds
Philadelphia Museum of Art NEW!
Thomas Bewick at the The British Museum, London, UK
The Huntington Library, California
Tyne & Wear Museums Database, England
Victoria and Albert Museum Catalogue, London, UK
Wichita Art Museum, Kansas
National Art Databases and Museum Inventories:
Art Fund for UK Museums
Silver Salver
Art Market:
(e.g. records of past sales at auction; sites providing examples of the artist's signature)
Sotheby's Sold Lot Archive
(database goes as far back as 1998; images where permitted by copyright go about as far back as 2001)
Pictures from Image Archives:
Liam's Pictures from Old Books 
Illustrations from Wood Engravings by Thomas Bewick
New York Public Library Digital Gallery
Additional Image Search Tools:
(SafeSearch set to "strict"; go to Advanced Search (Flickr/Google) or Preferences (Bing) to change)
Miscellaneous Sites:
The Border Collie Museum
Brief article on Bewick about his connections to the Border Collie breed
Articles and Reference Sites:
RKD Netherlands Institute for Art History 
Union List of Artist Names (Getty Museum)
Reference sheet with basic information about the artist and pointers to other references.
Wikipedia, the "Open Content" Encyclopedia
The Guardian Newspaper, UK
"Thomas Bewick's cheeky woodcuts", 2009 review by Adrian Searle
|
|
|
|
|
