Paintings in Museums and Public Art Galleries:
Fitzwilliam Museum at the University of Cambridge, UK Two male figures, drawing
Hermitage Museum, Saint Petersburg, Russia Study: Two Female Figures (for Altar-piece), ca.1583
J. Paul Getty Museum, Los Angeles Nude Studies, 1570
Kunsthistorisches Museum Databank, Vienna (in German) 
Bartolomeo Passerotti in the Louvre Museum Database, Paris (only available in French)
Museum of Fine Arts, Boston  Paintings collection online
The Royal Collection, London, UK (Zoomable - look for the magnifying glass and the text "Magnify image")
Art Gallery of South Australia, Adelaide The Coronation of the Virgin with Saints, ca.1580
Beaverbrook Art Gallery, New Brunswick
Courtauld Institute of Art, London, UK 3 works by or related to the artist
Drawings from the Biblioteca Ambrosiana, Milan
Flemish Art Collection Database, Belgium (in Dutch) 
Harvard University Art Museums, Massachusetts
Hood Museum of Art, New Hampshire
Joconde Database of French Museum Collections (in French) 
Bartolomeo Passerotti in the Los Angeles County Museum of Art Database
National Gallery of Australia, Canberra The butcher stall
National Gallery of Australia, Canberra The fish stall
Pinacoteca Capitolina, Rome (in Italian)  Ritratto d'uomo con un cane
Pinacoteca Capitolina, Rome (in Italian)  Presentazione di Gesù al tempio
Pinacoteca Nazionale di Bologna (in Italian)  2 works online
Royal Museums of Fine Arts of Belgium Catalogue (in French)  Tête d'un satyre
State Museums of Florence Digital Archive, Italy
The Walters Art Museum, Maryland NEW!
Pictures from Image Archives:
Bartolomeo Passerotti in the Art Renewal Center
Bartolomeo Passerotti at CGFA 
Bartolomeo Passerotti in the Web Gallery of Art 
Bildindex der Kunst und Architektur (in German)  (a welcome screen is displayed for a couple of seconds before the search results appear)
Ciudad de la Pintura (in Spanish) 
Articles:
Union List of Artist Names (Getty Museum) Reference sheet with basic information about the artist and pointers to other references.
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