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December, 2001

Le Louvre: The Virtual Visit on DVD-ROM

(Software for Windows and Macintosh)
By Joseph Phelan
Buy now and get 20% off at Amazon.com On a trip to Paris last year, I stayed at a modest hotel filled with other North Americans. Most of them were on a five-day vacation, but being Americans they were wonderfully organized and energetic, determined to see as much of Paris as possible. As if there wasn't enough to do in Paris, they had scheduled day trips as far west as Normandy and the Loire Valley.

At breakfast on their last day I turned to my favorite topic: which museums had they been to and what things had they enjoyed? Well not only had they done the Louvre, the Musée d'Orsay and several others, but also being Americans they had all sorts of opinions about them. They loved the d'Orsay. It's like the most elegant shopping mall imaginable, a high school student from Florida announced.

About the Louvre they were respectful but after a couple of minutes one savvy New England couple (better traveled by far than I) allowed that apart from seeing the Mona Lisa they hadn't really enjoyed themselves. I bit my tongue; it would have been ludicrous to tell them that in the same gallery where thousands each day visit the La Giaconda, they could have seen three of the noblest works ever fashioned by mortal hands: Giorgione's Fête champêtre, Titian's The Entombment and Veronese's The Wedding Feast at Cana. I changed the subject, thinking the Louvre needs to reach these people...

These four paintings and 996 other works of art are now easily accessible thanks to the collaboration between Montparnasse Multimedia. which has been producing cultural CD-ROMs for almost a decade, and the Louvre Museum. The DVD-Louvre is a qualitative advance over the older CD-ROM versions. Not that there was anything wrong with the earlier versions, but with DVD the picture quality available is truly astonishing and ten times as many images can be packed onto the disc.

Gaspare Traversi: The Sitting The Louvre is one of the world's great encyclopedic museums containing the art and artifacts of ancient civilizations. The DVD begins with the great civilizations of Egypt and the Middle East. Thanks to Napoleon's conquests in that part of the world, the Egyptian galleries rank with those of the British Museum as the best outside of Egypt. This program offers a virtual visit to those galleries and access to over 100 ravishing items culled from the great periods of Egyptian history.

Interactive films are a major feature covering the history of the civilizations of the Mediterranean Basin from 10,000 B.C. to 1848 A.D. The films are on the level of a really interesting episode of the Discovery Channel -- brilliantly illustrated with the Louvre's holdings. There are also virtual tours of 25 of the most famous galleries, which allows you to navigate at your own pace, moving up close to the paintings and walking around the sculptures and antiquities, accompanied by a fine audio commentary. Finally there is a multimedia history of the architecture of the institution from its first use as the fortress of Philipe Auguste to the construction of Grand Louvre Pyramid designed by I.M. Pei in the early nineties.

For the vast majority of people, the Louvre stands for great painting, perhaps the greatest collection of paintings in the world. Yet it is well known that North Americans faced with their first visit to the museum often feel overwhelmed, get lost, and never really see the works, apart from the Mona Lisa. For those who love paintings and graphic arts but were unable to visit or were intimidated, this is a Louvre without the hassle.

I can tell you that there are over 345 paintings and 75 drawings from all the great periods of European art on the DVD, each of which can be devoured at your leisure accompanied by all the information you could wish to have to fully enjoy them. For instance the program provides thematic links to other works, which draw your attention to the similarities between artworks from different ages and cultures. This is multiculturalism at its best, providing the kind of comparisons that train the eye and the mind so that one can develop confidence and competence enjoying art.

Corot: Souvenir de Mortefontaine, 1864 Corot: Souvenir de Mortefontaine, 1864 (detail) Every one of these thousand works can be seen in magnifications hitherto inaccessible to the unassisted eye. Even familiar works such as the Venus de Milo and the Mona Lisa become rich and strange under the superhuman magnification. Before you know it you are traveling in an undiscovered country seeing things most of us have only taken on faith before. For example it is often said that the Impressionists were inspired by the brushwork of the painters of the Barbizon school. Take a look at the branches of a tree in the Corot landscape [left], which under the DVD's magnification [right] blossoms into little masterpieces worthy of Monet and Renoir.

The magical techniques of the old masters are revealed before your eyes. You can see how Rubens' use of color and dynamic composition influenced Delacroix and the Romantic painters. A still life in the foreground of a great Poussin becomes the inspiration for one of Cézanne's compositions. Raphael is once again seen for what he truly is, the prince of painters, the most fecund source of ideal beauty, harmony and proportion that European art has ever produced. What a resource for the serious art student or would be painter. What a treat for those who may never get to visit the Louvre!

Need I say that this program is far superior to anything available on the Internet? I speak as one of the veteran explorers of art museum websites, which have been coming online since the latter part of the 1990's. The Louvre was one of the first to go online, and the website has greatly improved over the years. But no one who has been disappointed by the paucity of works on line or the quality of the images, or the lack of solid descriptive information about the art or the artists, will need convincing that this DVD is the best interactive product this museum has yet produced.

Caravaggio: The Fortune Teller, 1596-97 (detail) Websites, even the best ones, simply don't offer this much art and aren't able to provide such high definition images. The DVD Louvre includes a powerful search engine, a chronological sidebar that is always available to put things in their historical context, as well as a lexicon which can be accessed for background information. If you appreciate the high visual quality and interactive features which DVD makes possible, this Louvre is your ticket to Parnassus.

How do you say "two thumbs up" in French?

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This article is copyright 2001 by Joseph Phelan. Please do not republish any portion of this article without written permission.

Joseph Phelan can be contacted at joe.phelan@verizon.net

Past Articles

November, 2001

      Tragedy and Triumph at Arles: Van Gogh and Gauguin, by Joseph Phelan

October, 2001

      Her Last Bow: Sister Wendy in America, by Joseph Phelan

September, 2001

      Love, Death and Resurrection: The Paintings of Stanley Spencer, by Joseph Phelan

August, 2001

      Who is Rodin's Thinker?, by Joseph Phelan

July, 2001

      Celebrations North and South, by Joseph Phelan

June, 2001

      Rubens and his Age, by Joseph Phelan

May, 2001

      Great Reproductions of Great Paintings

April, 2001

      The Passion of Christ, by Joseph Phelan

March, 2001

      Edouard Manet: Public Spaces, Private Dreams, by Joseph Phelan

February, 2001

      Henry Moore and the British Museum: The Great Conversation, by Joseph Phelan

December, 2000

      Advent Calendar 2000, narrated by Joseph Phelan

November, 2000

      Article: Notorious Portraits, Part II, by John Malyon

October, 2000

      Article: Notorious Portraits, Part I, by John Malyon
      Article: The Other Michelangelo, by Joseph Phelan

September, 2000

      Article: The Art of Drawing, by Joseph Phelan

August, 2000

      Article: Poussin and the Heroic Landscape, by Joseph Phelan

July, 2000

      Article: Great Art Museums Online, by Joseph Phelan

June, 2000

      Article: Venetian Painting and the Rise of Landscape, by Joseph Phelan

May, 2000

      Article: Forbidden Visions: Mythology in Art, by Joseph Phelan

April, 2000

      Article: Themes in Art: The Passion of Christ, by Joseph Phelan
      Web site review: Christus Rex

March, 2000

      Web site review: National Gallery of Art, Washington, D.C., by Joseph Phelan
      Online exhibit review: Inuit Art: The World Around Me, by John Malyon

February, 2000/Poll: Who is Producing the Most Interesting Art Today? (Results)

January, 2000/Poll: Who is Producing the Most Interesting Art Today? (Part II)

December, 1999/Poll: Who is Producing the Most Interesting Art Today? (Part I)

November, 1999/The Louvre Museum

      Web site review: The Louvre

October, 1999/Impressionism

      Web site review: North Carolina Museum of Art

September, 1999/Optical Art

      Web site review: The Butler Institute of American Art

August, 1999/Animals in Art

      Web site review: National Museum of Wildlife Art
      Online exhibit review: PBS: American Visions

July, 1999/Surrealism

June, 1999/Sculpture

      Web site review: Carol Gerten's Fine Art
      Online exhibit review: Michael Lucero: Sculpture 1976-1995

May, 1999/Women in the Arts

      Web site review: National Museum of Women in the Arts
      Online exhibit review: Jenny Holzer: Please Change Beliefs

April, 1999/The Golden Age of Illustration

      Web site review: Fine Arts Museums Of San Francisco
      Online exhibit review: Treasure Island and Robinson Crusoe online

March, 1999/Vincent van Gogh

      Web site review: Van Gogh Museum, Amsterdam
      Web site review: The Vincent van Gogh Information Gallery

February, 1999/Great Art

      Web site review: The State Hermitage Museum, St. Petersburg, Russia
      Online exhibit review: John Singleton Copley: Watson and the Shark